Abigail Corrigan (she/her) is a Denver based dancer, choreographer, arts administrator, and educator. She has been a company member of Hannah Kahn Dance Company and jk-co, and while living in New York City, performed with VALLETO Dance, Summation Dance Company, Lila Artists, Drye/Marinaro Dance Company, The Nathaniel Hunt Project and more. Abigail received a BFA in Dance Performance and Choreography and a BA in Arts Administration from Elon University, where she performed works by artists such as Gerri Houlihan and Kira Blazek. Abigail was also a student and choreographic resident at the San Francisco Conservatory of Dance, where she was mentored by Christian Burns and Alex Ketley. In September of 2021, Abigail was commissioned by T2 Dance Company to create a work for presentation at the Dairy Arts Center. Abigail is currently an affiliate faculty member with the Denver University Prison Arts Initiative.

Tiffany Ogburn (she/her) grew up in Gig Harbor, Washington and received her BFA in Dance from NYU Tisch School of the Arts ‘17. She has danced for Andrea Miller’s Gallim Dance, Susan Marshall & Co., Stephen Petronio Company, and was a performer in Punchdrunk NYC’s immersive show Sleep No More. She loves sitting under trees, cuddling her French Bulldog, and creating her own work alongside the many interesting humans she encounters.

Collin Quinn Rice (they/them) is a queer actor and photographer based in Chicago. This is their first time in Denver (and the furthest West they’ve ever been) and they are absolutely thrilled to be working with the folks at Oddnock Productions! Chicago credits include: Laced, Le Switch (About Face Theatre), The Tasters (Rivendell), All Quiet on the Western Front (Red Tape Theatre), Mike Pence Sex Dream (First Floor Theater), The Harvest (Griffin Theatre Co.), Hatfield & McCoy (The House), Masque Macabre (Strawdog Theatre Company), The Ode at Pint's End (Birch House Immersive), and The Hilary Duff Project (MCL Chicago). TV/Film credits include Work in Progress, The Right Swipe, and The Play Cycle. Collin is a graduate of Northwestern University, and they are represented by DDO Chicago. Collin also moonlights as a headshot photographer and choreographer—their comprehensive work can be found at www.collinquinnrice.com.

Natalia Roberts (she/her) heralds from Detroit, Michigan where she grew up as a competitive figure skater and runner. She discovered dance in college while studying architecture and was immediately obsessed — and in three years worked her way from apprentice to soloist within the university’s resident dance company. After graduating Natalia moved to NYC where she received the bulk of her training with the Peridance 2-year certificate program and began working as a freelance dancer and choreographer. She was selected as a Mare Nostrum Emerging Choreographer and worked with companies such as Caterina Rago Dance, Minute Zero, Makeup Forever and DevaCurl. The pandemic plunged Natalia into filmmaking and in the last two years, she’s created over a dozen films for dance companies across the Bay Area including ODC dance, Catherine Galasso and Detour Dance.

Nile H. Russell (he/him) is originally from Baltimore, MD. He received a B.A. in Dance from Connecticut College, where he was fortunate to have the guidance of wonderful dancers and professors such as Dan Wagoner, Lan Lan Wang, Jeff M. Rebudal, Robyne Watkin, David Dorfman, Eddie Taketa, and Jeremy Nelson. In 2002, Nile traveled to Mysore, India to study temple and architecture studies and Bharatanatyam dance at the University of Mysore. He moved to New York in 2004, where he danced with Silver-Brown Dance, LeeSaar The Company, Luis Lara Malvacias, Stefanie Nelson Dance Group, Naganuma Dance, and co-founded CaN Dance. In 2009, Nile joined Pilobolus Dance Theater and later became Dance Captain. Through Pilobolus, he has performed and taught in over 20 countries, 49 states and on four continents, and has experienced a wide and wonderful range of people and cultures. Nile currently lives in Denver, Colorado and works as an Artistic Consultant, teaches workshops at multiple schools and studios, and continues his work with Pilobolus as a Teaching Artist. He also has performed with Rosie Herrera Dance Theatre, collaborated on commissions for Crystal Bridges American Art Museum, the Momentary museum, the Clayton Members Club and Hotel, and multiple music videos, teaches movement workshops for Cal State, and is a founding member of Flow Kakou, a nonprofit in Hawaii, which does community outreach and cultural exchange through movement. His recent projects include being the Movement Coordinator for a production of In the Upper Room for the Denver Center for the Performing Arts, The Lightning Thief: The Percy Jackson Musical and James and the Giant Peach for Neighborhood Music Theater, and a commissioned work for McDonogh School in Maryland. He hopes to add to the amazing dance and arts culture of Colorado, and to foster community through creativity.

Silt Taft (they/them), a Colorado Front Range-based mover and visual artist, is obsessed with the freedom found in texture, noise, and motion. Their training spans from the San Francisco Conservatory of Dance and Gibney Dance Center in New York, to various projects with Colorado-based artists, not least of which being dancing with their housemates in their front yard. Their primary dreams consist of communal dance and somatic practices informed by disability justice, liberation, and the earth.